Illuminated Crodino bottles form the visual and spatial basis of the installation and are multiplied into potential infinity by the reflections. The real arrangement of the light objects meets their reflected images and creates a multi-layered spatial structure in which orientation, depth, and scale seem to be suspended. The space is not perceived as a clearly defined architecture, but as a seemingly boundless field of light that changes with every movement of the visitors. The work addresses perception, repetition, and spatial illusion.